1.) Philip Glass- Opening/Floe
a. Philip Glass has this
amazing talent for taking absolute chaos and containing it into a tiny, neat
little minimalist package. His works can drive people insane, and at the same
time cure insanity. I have found emotional sanctuary in the repetitive, yet
touching notes he writes. Glass is able to change the entire song while
maintaining the exact same concept throughout. I see it as a predecessor to
techno, repetitious with subtle progression.
i. These two particular pieces from 'Glassworks'
are striking to me. ‘Opening’ is appropriately titled, it’s a river of passion,
trickling along piano keys introducing something you would not expect. I have
heard many piano works, but none stay with me as much as this one. He manages
to just hit the right chord (pun intended) with me, as if he is expressing
something that I could never relay into words. A certain thing that I feel
every time I look at the mountains, every time I see the sun set over the ocean,
and every time I drive through rural areas. It tells a story without ever
speaking a word, and the repetition allows you to reflect within yourself; to
really think about an emotional reaction rather than just having it. As it
fades out, it hangs a low note, which leads the listener quietly into ‘Floe’.
And what a complete 180…while yes, it is still Glass, and still repetitious,
it’s a completely different musical perspective. It sounds like it came from
the future, or from some far reach of outer space. The use of electronic
keyboard combined with the classic orchestra is incomparable. The first time I heard
this I felt like I was spinning through a black hole. The turmoil of my mind
was suddenly solved through music. Most people think it sounds weird, or too arty,
and well, it does. And that is what is so fucking awesome about it. The
vocalist isn’t even saying a damn thing. She is literally just repeating basic
scales. Around 3 minutes and 11
seconds, he breaks it right back down and reveals all of the layers to you, one
by one. Starting with the beginning low note of whatever instrument it is, and
then showing you little glimpses of his soul. Whatever it is about these two
pieces, they make me feel alive; they express something for me that I could
never express for myself. Enjoy.


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